The Toll Fine Art Photography by Knotted Tree Studios

The Toll

Sponsored Talent Ashley Cross
Gear Used Canon R5C, Moza Air 2, Godox AD200
Project Timeline Fall 2025
Project Location Belton Texas
Shoutouts To Ashley Cross
Finding The Right Person

Finding The Right Person

Some concepts sit in your head for months before they find the right person to bring them to life. The Toll was one of those.
We had the idea for a dystopian future narrative for a long time before this project ever happened. The story, the mood, the world it would live in, all of it was fully formed in our head. What we did not have was the right face for it. Casting matters more than people realize in this kind of work. The wrong person can have the right look and still not carry the weight a story like this needs.
Ashley solved that problem without us even asking. She has been a client of ours for years at this point. We had the honor of capturing her wedding, photographing her family, and watching her grow as a person across multiple sessions over a long stretch of time. She reached out one day just to check in, nothing related to a shoot, just staying in touch the way good clients become genuine friends over time. That casual conversation turned into a pitch. We laid out the concept for The Toll and asked if she would be willing to step in front of the camera in a way she never had before.
She said yes without hesitation. That kind of trust does not come easily and it does not happen with someone you just met. It comes from years of relationship, and Ashley gave us that trust completely.

Into The Dystopia

Into The Dystopia

This was Ashley's first time in front of the camera in this specific capacity, stepping fully into a character and a narrative rather than being photographed as herself. She handled it like she had been doing it for years. There was no hesitation, no self consciousness, just full commitment to the story we were trying to tell.
The goal with The Toll was to build something that kept the viewer guessing right up until the final frame. A dystopian future narrative lives or dies on tension and ambiguity, giving just enough information to pull someone into the world without handing them the full picture too early. We wanted the audience to be piecing the story together as they moved through the gallery, not simply observing a series of pretty images.
We went out to our tried and true location near Belton Lake to bring this to life. That spot has given us some of our best work over the years, and it had exactly the right atmosphere for the bleak, uncertain world we were building. The light, the texture of the land, the isolation of the area all worked in our favor. As the shoot unfolded, the story came together in real time, Ashley adapting to direction and finding the emotional beats of a character that existed only in our heads until that day.

What This Project Gave Back

What This Project Gave Back

This project means more to us than most. We had been in something close to a year long creative hiatus before The Toll happened, the kind of quiet period where you start to wonder if the passion that got you into this work in the first place is still there. It was.
The Toll is the project that pulled us out of that. Working through a full narrative concept, building a world, casting the right person, and watching it all come together reminded us why storytelling through a lens is the thing we love most. Sometimes you need exactly the right project at exactly the right moment to fall back in love with the work, and this was that project.
Thank you, Ashley, for humoring this idea and trusting us enough to step fully into a character for the very first time. You gave this story exactly what it needed, and you gave us back something we did not realize we had been missing. You are the best, and we mean that completely.

See More Work.

See More Work